Durée et intensité, intonation et « tour » Traduire en italien les marques prosodiques d’Un amour de Swann

Proust, who had an unrivalled gift for imitation, could render the spoken word in all its varieties through a subtle blend of quotation, description, and commentary. What happens to the markers of prosody scattered throughout Un amour de Swann in the Italian translations by Debenedetti (Bompiani 1948), Ginzburg (Einaudi 1949, 1990), Raboni (Mondadori 1983), Nessi Somaini (Rizzoli 1985), and De Michelis (Newton Compton 1990)?