This article looks at the recurrent images of mirrors and echoes in the collection Parallèlement as a key to our interpretation of how the post-conversion Verlaine employs parody and self-parody in order to (re)construct a lyrical subject constantly at risk of further fragmentation.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
