Les Motets pour la chapelle du roy à la cour de Saxe Contours et enjeux d’un transfert musical (1697-1721)

The recent discovery of an unknown exemplar from the original edition of ­Robert’s Motets in Dresden sheds a fascinating light on the circulation of French religious music in Europe. Analysing the features of the source, we take into account the religious and political ­context as well as the circulation of French musicians to better understand this musical transfer.