L’invitation au voyage À propos de deux exemplaires du Graduale Cenomanense (1515)

By ­comparing two exemplars of the Graduale Cenomanense (1515) –one is spotless while the second has been annotated and transformed during two centuries–, this paper brings to light the ­users’ tactics in transforming printed chant. In that respect, these books show that village cantors were able to experience a certain movement of taste and repertory.