In this study the author shows how Claudel’s thought resulted from a long dialogue with Mallarmé up to 1898 and beyond. It considers the extent to which their opinions on music, theatre, and ‘the Book’ can be distinguished from each other, come together, and intertwine.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
