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If the dancer is driven by music, the actor is guided by the language of the poet, whether he resists it or gives himself up to it. This article considers the Novarinian logodynamic which actors experience in the mise-en-scène of certain of Valère Novarina’s plays.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
