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This article analyses the mysterious connection between the play Je, Tu, Il, the prologue to the opera La Métamorphose, and Franz Kafka’s text. Valère Novarina recreates the variations which are so particular to him: those which drive the shifts in theatrical time present throughout his œuvre.
CLIL theme: 4027 -- SCIENCES HUMAINES ET SOCIALES, LETTRES -- Lettres et Sciences du langage -- Lettres -- Etudes littéraires générales et thématiques
