Singularités de l’écriture proustienne éclairées par la traduction en norvégien

Is there a system of inadvertencies, omissions, opacities etc. in a given translation? To what extent can the mistakes in comprehension which are revealed in an otherwise good quality translation help illuminate the singularity of a style? Inevitable incongruities hide away in the folds of a translation as in the folds of a “royal gown”(Benjamin). What about the “translatability” (Berman), the Übersetzbarkeit of Benjamin: what happens to the language of the original and the style of the author?