European Journal of Poetry Research (10 Numbers)
The central goal of the Revue européenne de recherches sur la poésie is a Europe united under the banner of poetry, no matter in what time or place, as part of a harmonious European Republic of letters.
Directed by: Dotoli (Giovanni)
ISSN: 2492-7279
Periodicity: Annual
Goals
This review will never enter into the collection of reviews about the poem in the cells of poetry tout court. This is the first in the genre. On calculation in France « more than three cents revues » (Étienne Ruhaud, La poésie contemporaine. Pour la diffusion d'un genre oublié, Paris, L'Harmattan, 2012, p. 56) of poetry, of minuscules in small paper to several volumes, simply folded on the reference pages. More than the same vision that the Revue européenne de recherches sur la poésie.
The four words of their title are all evidence: review (discours, reflection, analysis, study, panorama, excursus), européenne (Europe espace of poetry), recherches (uniqueness of research on poetry, theory, aesthetics, commentary), poems (poetic genre of all sorts).
La Revue européenne de recherches sur la poésie as a large perspective, of space and of time. It is an area that concerns all of Europe: it deals with all European poetry, with the limit of our convention, separating Europe from Asia, from the coasts of Portugal, and from the North of Scandinavia to Sicily. The chronological times that are scrutinized throughout the era of European poetry, from Moyen-Âge to our days.
This review does not want to enter the crowd of reviews on poetry or those of poetry in general. It is the first of its kind. In France, we calculate "more than three hundred magazines" (Étienne Ruhaud, Contemporary poetry. For the diffusion of a forgotten genre, Paris, L'Harmattan, 2012, p. 56) of poetry, from the tiny ones in a few sheets to those which are real volumes, from barely folded A3 or A4 sheets to reference magazines. But none has the same vision as the European Journal of Research on Poetry.
The four words of its title are obviously: review (speech, reflection, analysis, study, panorama, excursus), European (European poetry space), research (only research on poetry, theory, aesthetics, commentary), poetry (poetic genre of all kinds).
The Revue européenne de recherches sur la poésie has a broad perspective, of space and time. Its space concerns all of Europe: it deals with all European poetry, from the conventional limit of the Urals, separating Europe from Asia, to the coasts of Portugal, and from the North of the Scandinavian countries to Sicily. The chronological times that she treats examine every era of European poetry, from the Middle Ages to the present day.
Of course, no ranking of different spaces and times. It is the general unit which is the constant point of reference. In the immense forest of European poetry, the large trees, the small shrubs and the scrub are on the same plane and play the same role.
We only talk about Europe, politics, trade and sometimes agriculture. There are only a few cultural historians who speak of European Republics of Letters. Those who believe in European literature are rare.
The long term shows us the paths to follow, according to a genealogy that leads to lasting visions. The transformations and horizons of time open up to us the treasure of the poetry of the Old Continent, based on a European corpus. The eras are not necessarily unitary, but rather plural, under the sign of the same “aesthetic sphere” Guido Mazzoni, On modern poetry, translation by Céline Frigau Manning, Paris, Classiques Garnier, 2014, p. 16).
With understandable discrepancies, we find the same linguistic form and the same themes everywhere.
The persistences will be stronger than the differences. Our unitary interpretation, if we want to be comparative, reveals unexpected genealogies, systems, avant-gardes which overlap in each period. The European circulation of poetry is a phenomenon of prime importance, which has not yet been sufficiently emphasized.
Some examples: expressionism, futurism, surrealism, the Dada movement, unitary systems of versification.
The European poet lives as a writer, in the deep knowledge of the flavor of words. Her privileged lyrical zones are nature, childhood, man, woman, the universe, between emptiness, silence and often pessimism.
A new era of European poetry could be announced. The Revue européenne de recherches sur la poésie tries to facilitate this path, by launching a call for new readers.
In school and university programs there is neither the teaching of European literature nor the teaching of poetry. Two serious gaps that should be filled as soon as possible. It is time to broaden the perspectives of education, on the European side.
Yes, European literature exists.
European poetry too, as a very obvious consequence.
In each of its issues, the Revue européenne de recherches sur la poésie confirms this, fully planted in the playing field of poetry, through its critical gaze open to the infinity of European speech.
Contact details and email address for the journal
Prof. Giovanni DOTOLI
Dipartimento della Ricerca e dell’Innovazione umanistica Università di Bari Aldo Moro - Via Garruba, 6 - 70121 Bari (Italie)
Tél. 0039 3351871961
giovanni.dotoli@uniba.it
Editorial Board
Eidtor
Giovanni DOTOLI (Université de Bari Aldo Moro)
Vice-Editor
Encarnación MEDINA ARJONA (Jaén)
Editors-in-chief
Mario SELVAGGIO (Cagliari)
Editors
Marcella LEOPIZZI (Lecce), Giovanna DEVINCENZO (Bari), Maribel PEÑALVER VICEA (Alicante)
General
Scientific Advisory Board
Claude Blum (Paris), Béatrice Bonhomme (Nice), Stefano Bronzini (Bari), Pierre Brunel (Paris), Concetta Cavallini (Bari), Bruna Donatelli (Rome), Carme Figuerola (Lleida), Bernard Franco (Paris), Ralph Heyndels (Miami), Pedro Salvador Méndez Robles (Murcia), Marco Modenesi (Milan), M. J. Muratore (Columbia), Daniele Maria Pegorari (Bari), Maribel Peñalver Vicea (Alicante), Angelo Rella (Szczecin), Paola Salerni (Venise), Àngels Santa (Lleida), Mario Selvaggio (Cagliari), Giovanni Tateo (Lecce), Carlota Vicens-Pujol (Îles Baléares), Reiner Zaiser (Kiel), Jia Zhao (Zhejiang), Zosi Zografidou (Salonique)
Declaration of ethics and good editorial practice
Les Cahiers du dictionnaire is a double-blind peer reviewed scientific journal that complies with the code of publication ethics drawn up by COPE. It adheres at all stages to the principles of scientific rigour, ethical correctness and intellectual honesty, recognising them as the sole criteria for its choices. The journal abides by the following code of ethics. All parties involved - authors, editors, editorial board members and referees - must be aware of and share the following ethical requirements.
Publication decisions
The editors-in-chief and members of the editorial board of " Revue européenne de recherches sur la poésie " are responsible for deciding whether or not to publish proposed articles. In making this decision, the editors and members of the Editorial Board consult each other systematically - at regular meetings - taking into account the opinion of the anonymous referees.
Accuracy
The editors and members of the Editorial Board assess the articles proposed for publication on the basis of their content, without discrimination based on the authors' race, sexual orientation, gender, religion, ethnic origin, citizenship or political orientation.
Contributing to editorial decision-making
Double-blind peer review is a procedure that accompanies and complements the decisions of editors and editorial board members on proposed articles and enables authors to improve and enrich their contributions.
Respecting deadlines
A reviewer who does not feel up to the task or who knows that he or she will not be able to complete the reading within the allotted time is required to inform the Editorial Board promptly.
Confidentiality
All texts submitted for reading must be considered confidential. Consequently, these texts must not be discussed with others without the explicit permission of the editors and members of the Editorial Board.
Objectivity
Double-blind peer review must be conducted objectively. Assessors are required to justify their judgements adequately.
Indication of texts
Peer reviewers undertake to give precise bibliographical references to fundamental works that may have been omitted by the author. They must also inform the editors and members of the editorial board of any similarities or overlaps between the text they have read and other works of which they are aware.
Conflict of interest and disclosure
Confidential information or indications obtained during the double-blind peer review process must be treated as confidential and may not be used for personal purposes. Referees are required not to accept for reading articles for which there is a conflict of interest due to previous collaborative or competitive relationships with the author and/or his/her home institution.
Responsibility for content
The author is solely responsible for the content of his or her publication.
Originality and plagiarism
Authors must declare that they have composed an original work in all its parts and that they have quoted all the texts used.
Multiple, repetitive and/or competing publications
The author must not publish articles describing the same research in more than one publication.
Paper and digital publication
When submitting their article, authors undertake to authorise its distribution in paper and digital format - in particular via the he journal's website: https://classiques-garnier.com/dictionary-studies.html- unless they give express notification to the contrary.
Indication of sources
The author must always correctly indicate the sources of published images and documents and undertakes to independently request the necessary reproduction authorisations and to provide copies to the editorial office. If the editors and members of the editorial board consider it appropriate, authors of articles must also make available the sources or data on which the research is based.
Authorship
Authorship must be properly attributed and all persons who have contributed significantly to the design, conduct and review of the research underlying the article must be listed as co-authors. If other individuals were significantly involved in certain stages of the research, their contribution should be explicitly acknowledged.
Errors in published articles
When an author identifies a relevant error or inaccuracy in one of his/her articles, he/she should promptly inform the editors and members of the editorial board of the journal and provide them with all the necessary information so that they can make the necessary corrections.
Note to Contributors
General - Accentuate all capitals. - Never use a font size other than that of the paragraph concerned.
Summaries in French and English - Do not exceed the limit of 500 characters (including spaces) for each language.
Keywords - Give keywords for the article (between 5 and 10 keywords relating to the topics covered), in French and English
Article title - In capitals and in two languages: French and English
Times New Roman font - Text 14 - Off-text quotation 12 - Footnotes 12 - Final bibliography, if any 12
Bibliography at the end of the article – Authors’ names (not first names) in the final bibliography (if any) must be written in small capitals and not in capitals. Name followed by a comma.
Footnotes - Footnotes are always indicated by a superscript Arabic numeral. Use footnote calls in automatic mode. Footnotes are always placed before punctuation or the closing inverted comma. In bibliographic references in footnotes, names must be written in lower case. Title in italics.
Numbering of headings - Titles may not be numbered (by letter or number).
Indicate only the titles, in small capitals
Contact info - Send postal and e-mail addresses
Illustrations - Authorisation for publication essential
This review will never enter into the collection of reviews about the poem in the cells of poetry tout court. This is the first in the genre. On calculation in France « more than three cents revues » (Étienne Ruhaud, La poésie contemporaine. Pour la diffusion d'un genre oublié, Paris, L'Harmattan, 2012, p. 56) of poetry, of minuscules in small paper to several volumes, simply folded on the reference pages. More than the same vision that the Revue européenne de recherches sur la poésie.
The four words of their title are all evidence: review (discours, reflection, analysis, study, panorama, excursus), européenne (Europe espace of poetry), recherches (uniqueness of research on poetry, theory, aesthetics, commentary), poems (poetic genre of all sorts).
La Revue européenne de recherches sur la poésie as a large perspective, of space and of time. It is an area that concerns all of Europe: it deals with all European poetry, with the limit of our convention, separating Europe from Asia, from the coasts of Portugal, and from the North of Scandinavia to Sicily. The chronological times that are scrutinized throughout the era of European poetry, from Moyen-Âge to our days.
This review does not want to enter the crowd of reviews on poetry or those of poetry in general. It is the first of its kind. In France, we calculate "more than three hundred magazines" (Étienne Ruhaud, Contemporary poetry. For the diffusion of a forgotten genre, Paris, L'Harmattan, 2012, p. 56) of poetry, from the tiny ones in a few sheets to those which are real volumes, from barely folded A3 or A4 sheets to reference magazines. But none has the same vision as the European Journal of Research on Poetry.
The four words of its title are obviously: review (speech, reflection, analysis, study, panorama, excursus), European (European poetry space), research (only research on poetry, theory, aesthetics, commentary), poetry (poetic genre of all kinds).
The Revue européenne de recherches sur la poésie has a broad perspective, of space and time. Its space concerns all of Europe: it deals with all European poetry, from the conventional limit of the Urals, separating Europe from Asia, to the coasts of Portugal, and from the North of the Scandinavian countries to Sicily. The chronological times that she treats examine every era of European poetry, from the Middle Ages to the present day.
Of course, no ranking of different spaces and times. It is the general unit which is the constant point of reference. In the immense forest of European poetry, the large trees, the small shrubs and the scrub are on the same plane and play the same role.
We only talk about Europe, politics, trade and sometimes agriculture. There are only a few cultural historians who speak of European Republics of Letters. Those who believe in European literature are rare.
The long term shows us the paths to follow, according to a genealogy that leads to lasting visions. The transformations and horizons of time open up to us the treasure of the poetry of the Old Continent, based on a European corpus. The eras are not necessarily unitary, but rather plural, under the sign of the same “aesthetic sphere” Guido Mazzoni, On modern poetry, translation by Céline Frigau Manning, Paris, Classiques Garnier, 2014, p. 16).
With understandable discrepancies, we find the same linguistic form and the same themes everywhere.
The persistences will be stronger than the differences. Our unitary interpretation, if we want to be comparative, reveals unexpected genealogies, systems, avant-gardes which overlap in each period. The European circulation of poetry is a phenomenon of prime importance, which has not yet been sufficiently emphasized.
Some examples: expressionism, futurism, surrealism, the Dada movement, unitary systems of versification.
The European poet lives as a writer, in the deep knowledge of the flavor of words. Her privileged lyrical zones are nature, childhood, man, woman, the universe, between emptiness, silence and often pessimism.
A new era of European poetry could be announced. The Revue européenne de recherches sur la poésie tries to facilitate this path, by launching a call for new readers.
In school and university programs there is neither the teaching of European literature nor the teaching of poetry. Two serious gaps that should be filled as soon as possible. It is time to broaden the perspectives of education, on the European side.
Yes, European literature exists.
European poetry too, as a very obvious consequence.
In each of its issues, the Revue européenne de recherches sur la poésie confirms this, fully planted in the playing field of poetry, through its critical gaze open to the infinity of European speech.
Contact details and email address for the journal
Prof. Giovanni DOTOLI
Dipartimento della Ricerca e dell’Innovazione umanistica Università di Bari Aldo Moro - Via Garruba, 6 - 70121 Bari (Italie)
Tél. 0039 3351871961
giovanni.dotoli@uniba.it
Editorial Board
Eidtor
Giovanni DOTOLI (Université de Bari Aldo Moro)
Vice-Editor
Encarnación MEDINA ARJONA (Jaén)
Editors-in-chief
Mario SELVAGGIO (Cagliari)
Editors
Marcella LEOPIZZI (Lecce), Giovanna DEVINCENZO (Bari), Maribel PEÑALVER VICEA (Alicante)
General
Scientific Advisory Board
Claude Blum (Paris), Béatrice Bonhomme (Nice), Stefano Bronzini (Bari), Pierre Brunel (Paris), Concetta Cavallini (Bari), Bruna Donatelli (Rome), Carme Figuerola (Lleida), Bernard Franco (Paris), Ralph Heyndels (Miami), Pedro Salvador Méndez Robles (Murcia), Marco Modenesi (Milan), M. J. Muratore (Columbia), Daniele Maria Pegorari (Bari), Maribel Peñalver Vicea (Alicante), Angelo Rella (Szczecin), Paola Salerni (Venise), Àngels Santa (Lleida), Mario Selvaggio (Cagliari), Giovanni Tateo (Lecce), Carlota Vicens-Pujol (Îles Baléares), Reiner Zaiser (Kiel), Jia Zhao (Zhejiang), Zosi Zografidou (Salonique)
Declaration of ethics and good editorial practice
Les Cahiers du dictionnaire is a double-blind peer reviewed scientific journal that complies with the code of publication ethics drawn up by COPE. It adheres at all stages to the principles of scientific rigour, ethical correctness and intellectual honesty, recognising them as the sole criteria for its choices. The journal abides by the following code of ethics. All parties involved - authors, editors, editorial board members and referees - must be aware of and share the following ethical requirements.
Publication decisions
The editors-in-chief and members of the editorial board of " Revue européenne de recherches sur la poésie " are responsible for deciding whether or not to publish proposed articles. In making this decision, the editors and members of the Editorial Board consult each other systematically - at regular meetings - taking into account the opinion of the anonymous referees.
Accuracy
The editors and members of the Editorial Board assess the articles proposed for publication on the basis of their content, without discrimination based on the authors' race, sexual orientation, gender, religion, ethnic origin, citizenship or political orientation.
Contributing to editorial decision-making
Double-blind peer review is a procedure that accompanies and complements the decisions of editors and editorial board members on proposed articles and enables authors to improve and enrich their contributions.
Respecting deadlines
A reviewer who does not feel up to the task or who knows that he or she will not be able to complete the reading within the allotted time is required to inform the Editorial Board promptly.
Confidentiality
All texts submitted for reading must be considered confidential. Consequently, these texts must not be discussed with others without the explicit permission of the editors and members of the Editorial Board.
Objectivity
Double-blind peer review must be conducted objectively. Assessors are required to justify their judgements adequately.
Indication of texts
Peer reviewers undertake to give precise bibliographical references to fundamental works that may have been omitted by the author. They must also inform the editors and members of the editorial board of any similarities or overlaps between the text they have read and other works of which they are aware.
Conflict of interest and disclosure
Confidential information or indications obtained during the double-blind peer review process must be treated as confidential and may not be used for personal purposes. Referees are required not to accept for reading articles for which there is a conflict of interest due to previous collaborative or competitive relationships with the author and/or his/her home institution.
Responsibility for content
The author is solely responsible for the content of his or her publication.
Originality and plagiarism
Authors must declare that they have composed an original work in all its parts and that they have quoted all the texts used.
Multiple, repetitive and/or competing publications
The author must not publish articles describing the same research in more than one publication.
Paper and digital publication
When submitting their article, authors undertake to authorise its distribution in paper and digital format - in particular via the he journal's website: https://classiques-garnier.com/dictionary-studies.html- unless they give express notification to the contrary.
Indication of sources
The author must always correctly indicate the sources of published images and documents and undertakes to independently request the necessary reproduction authorisations and to provide copies to the editorial office. If the editors and members of the editorial board consider it appropriate, authors of articles must also make available the sources or data on which the research is based.
Authorship
Authorship must be properly attributed and all persons who have contributed significantly to the design, conduct and review of the research underlying the article must be listed as co-authors. If other individuals were significantly involved in certain stages of the research, their contribution should be explicitly acknowledged.
Errors in published articles
When an author identifies a relevant error or inaccuracy in one of his/her articles, he/she should promptly inform the editors and members of the editorial board of the journal and provide them with all the necessary information so that they can make the necessary corrections.
Note to Contributors
General - Accentuate all capitals. - Never use a font size other than that of the paragraph concerned.
Summaries in French and English - Do not exceed the limit of 500 characters (including spaces) for each language.
Keywords - Give keywords for the article (between 5 and 10 keywords relating to the topics covered), in French and English
Article title - In capitals and in two languages: French and English
Times New Roman font - Text 14 - Off-text quotation 12 - Footnotes 12 - Final bibliography, if any 12
Bibliography at the end of the article – Authors’ names (not first names) in the final bibliography (if any) must be written in small capitals and not in capitals. Name followed by a comma.
Footnotes - Footnotes are always indicated by a superscript Arabic numeral. Use footnote calls in automatic mode. Footnotes are always placed before punctuation or the closing inverted comma. In bibliographic references in footnotes, names must be written in lower case. Title in italics.
Numbering of headings - Titles may not be numbered (by letter or number).
Indicate only the titles, in small capitals
Contact info - Send postal and e-mail addresses
Illustrations - Authorisation for publication essential