Orner l’oubli d’un peuple par un paysage de mémoire sonore Few of us (Sharunas Bartas, 1996)

If, according to Marc Augé, ‘the principal operator of the fictionalisation of the individual and collective life, is forgetting,’ how to signify, without ­commentary or dialogue, the forgetting of a people ? How can we avoid turning this into a theme or a reconstitution and make it become a figure of writing ?