Rencontres

If four-handed piano playing is an ancient tradition, the same cannot be said of four-handed writing, particular when it is a question of reuniting the testimonials of two people coming from two different worlds. This four-handed text, the vehicle for a je/ jeu double, attempts to describe the blooming of a rich encounter between a linguistic-musician/ university-me (Greta Komur-Thilloy), a composer-me (Pierre Thilloy), and a literary-musician/ university-him (Peter Schnyder).