« Semblant me fait qu’il me veuille oindre » Ironie, mélancolie et confusion des sens dans le recueil de Chypre

Knowing that the poetics of the Chypre collection are founded on the harmonious convergence of poem and song, this article highlights, as a counterpoint to Isabelle Fabre’s study, the space and dissonance between these two mediums, examining in particular the meaning that sensorial notations take in the poems. As much as they express the trouble of the subject and the confusion of his sentiments, the alteration in perception also makes sense as the foundational leitmotif of a new poetics.