Intertexte et contre-texte, l'exemple de la Sotte Chanson

The sotte chanson reuses the characteristics of the Grand Chant: its relations with the other genres employ implicit allusions. This article studies how the sotte chanson uses these references contrasting with its classic shape ; what is their structural role ; if there are specific characters to score a generic membership or the emancipation of the limits of parody. The lyrical background will determine whether to speak about courtly parody or parody of courtoisie.