Philippe Minyana Les « segments entassés »

Philippe Minyans gives prominence to the dramatic poem in order to stage a mode of speech made up of sound pulsations, shaped by jumps and poor timing, and by a return to line and fragmentation. Playing with the accumulation of minimalist linguistic segments, the bare bones of the sentence, and typographic disconnections, Minyana turns the poem into a means of deconstructing theatrical fiction and its rhythm and continuity.