TY  - ECHAP
A1  - Andréo, Benjamin
TI  - « Peu à peu le style se métamorphosait » - Définir l’adaptation par la transformation (du) poétique. Jean Cocteau et La Belle et la Bête
T3  - xviiie siècle, n° 2 in Masculin/féminin dans l’Europe moderne
M1  - 6
DO  - 10.15122/isbn.978-2-8124-2039-9.p.0229
SN  - 978-2-8124-2039-9
SP  - 229
EP  - 241
AB  - If reinvention is a leitmotiv of Cocteau’s work, La Belle et la Bête (1946) occupies a singular place ; it can be read as an Ars poetica, a film on the art of making a film. A metamorphosis of a text which tells of metamorphosis, La Belle et la Bête is a pattern for all adaptations. Cocteau sets the tale in an aesthetic practice which translates a poetics of permeability. His reading of the tale offers him the material for a film at the intersection of experimental and conventional cinema.
PY  - 2014
DA  - 2014/01/08
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/marie-leprince-de-beaumont-de-l-education-des-filles-a-la-belle-et-la-bete-peu-a-peu-le-style-se-metamorphosait-en.html
Y2  - 2025/12/06
ER  -