TY  - EJOUR
A1  - Belgrano, Adrien
TI  - Danses profanes et lieux sacrés au Moyen Âge central - Les danses dans les cimetières entre contrôle social et négociations
T2  - European Drama and Performance Studies 2017 – 1, n° 8. Danse et morale, une approche généalogique
JO  - European Drama and Performance Studies (ISSN 2045-8541), 8, 2017 – 1
DO  - 10.15122/isbn.978-2-406-06765-8.p.0025
SN  - 2045-8541
SP  - 25
EP  - 41
AB  - This article takes the example of the cursed dancers of Colbeck as its point of departure in order to understand how, for a long time, dancing in cemeteries was a subject of moral discourse. The following two stages are connected to the history of the Church: at first clearly distinguishing non-clerical dancing from liturgy, then rejecting dance in general as evil. The violence of these condemnations is perhaps explained by the existence of a competing morality: that of dancers.
PY  - 2017
DA  - 2017/04/12
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/european-drama-and-performance-studies-2017-1-n-8-danse-et-morale-une-approche-genealogique-danses-profanes-et-lieux-sacres-au-moyen-age-central-en.html
Y2  - 2025/12/06
ER  -