TY  - EJOUR
A1  - Mei, Silvia
TI  - La ligne d’Yvette Guilbert - La mise en silhouette comme dispositif de vision et technique de distinction
T2  - European Drama and Performance Studies 2014 – 2, n° 3. Le document iconographique dans son contexte : le hors-champ des images du spectacle
JO  - European Drama and Performance Studies (ISSN 2045-8541), 3, 2014 – 2
DO  - 10.15122/isbn.978-2-8124-3270-5.p.0191
SN  - 2045-8541
SP  - 191
EP  - 214
AB  - Yvette Guilbert (1865-1943), famous diseuse fin de siècle, manufactures, or rather, distinguishes her very artefact stage presence, heavily influenced by contemporary art. Exploiting her own physical flaws, she develops a body “manifesto”, responding to the canons of a silhouette that increasingly challenge everyday behaviour. The contribution unfolds the context of critical references, literary and cultural imaginations and body techniques that have contributed to the definition of her icon status in a continuous interplay between (self)representations and intimate perception of the body.
PY  - 2014
DA  - 2014/10/08
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/european-drama-and-performance-studies-2014-2-n-3-le-document-iconographique-dans-son-contexte-le-hors-champ-des-images-du-spectacle-la-ligne-d-yvette-guilbert-en.html
Y2  - 2025/12/06
ER  -