TY  - EJOUR
A1  - Siméon, Sandrine
TI  - L’impossible « document » - Le Dernier Caravansérail d’Ariane Mnouchkine, un « monument » ?
T2  - European Drama and Performance Studies 2014 – 2, n° 3. Le document iconographique dans son contexte : le hors-champ des images du spectacle
JO  - European Drama and Performance Studies (ISSN 2045-8541), 3, 2014 – 2
DO  - 10.15122/isbn.978-2-8124-3270-5.p.0265
SN  - 2045-8541
SP  - 265
EP  - 276
AB  - Ariane Mnouchkine’s film, Le Dernier Caravansérail, emphasizes a rhetoric that is more compatible to the screen viewer’s perspective. The production of this film confirms that the recording of a performance is no longer the invisible relay of the images from the stage. Filming theatre can be seen as a creative artefact when it transcends its practical function in documenting theatre.
PY  - 2014
DA  - 2014/10/08
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/european-drama-and-performance-studies-2014-2-n-3-le-document-iconographique-dans-son-contexte-le-hors-champ-des-images-du-spectacle-l-impossible-document-en.html
Y2  - 2025/12/06
ER  -