TY  - ECHAP
A1  - le Blanc, Judith
TI  - Censure, critique et parodie dans le théâtre musical de la première moitié du xviiie siècle
T3  - Littérature et censure
M1  - 2
DO  - 10.15122/isbn.978-2-8124-6035-7.p.0111
SN  - 978-2-8124-6035-7
SP  - 111
EP  - 125
AB  - This article deals with the porous boundaries between censorship, critique and parody in musical theatre from the first part of the 18th century. Dramatic parodies claim their affiliation to moral censorship because they are critical, but they are stopped by censorship as soon as they start dealing with religion, ad hominem attacks or sexuality. In the end, what censors aim at is always the text, but never the music: volatile and immaterial as it is, music is what, to some extent, escapes censorship.
PY  - 2016
DA  - 2016/01/27
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/censure-et-critique-censure-critique-et-parodie-dans-le-theatre-musical-de-la-premiere-moitie-du-xviiie-siecle-en.html
Y2  - 2025/12/06
ER  -