TY  - ECHAP
A1  - Chapin, Keith
TI  - Sublime néoclassique et sublime rhétorique - La réception musicale des Odes et mélodies spirituelles (1757) de Christian Fürchtegott Gellert
T3  - Musique et littérature, n° 4 in Lire le xviie siècle
M1  - 32
DO  - 10.15122/isbn.978-2-8124-4680-1.p.0165
SN  - 978-2-8124-4680-1
SP  - 165
EP  - 185
AB  - This article formalises a distinction between notions of development on the one side and ornament or interpretation on the other which sheds light on the strain of neoclassical poetics of the sublime inherited by Gellert. It enables us to understand why Doles and Carl Philipp Emanuel Bach could adopt such different approaches to the presentation of the sublime religious subjects of Gellert’s poetry.
PY  - 2015
DA  - 2015/05/28
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/a-la-croisee-des-arts-sublime-et-musique-religieuse-en-europe-xviie-xviiie-siecles-sublime-neoclassique-et-sublime-rhetorique-en.html
Y2  - 2025/12/06
ER  -