TY - ECHAP A1 - Bastet, Delphine TI - Les grands mays de Notre-Dame de Paris (1630-1707), au seuil de la notion de sublime T3 - Musique et littérature, n° 4 in Lire le xviie siècle M1 - 32 DO - 10.15122/isbn.978-2-8124-4680-1.p.0207 SN - 978-2-8124-4680-1 SP - 207 EP - 219 AB - Does the notion of the sublime operate in seventeenth-century religious painting, even though it only appears explicitly at the end of the century in the writings of Roger de Piles ? The great Mays of Notre-Dame-de-Paris, devotional paintings offered between 1630 and 1707 by brotherhoods of craftsmen, allow us to explore this question. PY - 2015 DA - 2015/05/28 DP - Classiques Garnier PB - Classiques Garnier CY - Paris LA - fre UR - https://shop.staging.classiques-garnier.net/a-la-croisee-des-arts-sublime-et-musique-religieuse-en-europe-xviie-xviiie-siecles-les-grands-mays-de-notre-dame-de-paris-1630-1707-au-seuil-de-la-notion-de-sublime-en.html Y2 - 2025/12/06 ER -