TY  - ECHAP
A1  - Hache, Sophie
TI  - Le sublime de l’harmonie imitative - Autour des motets de Mondonville
T3  - Musique et littérature, n° 4 in Lire le xviie siècle
M1  - 32
DO  - 10.15122/isbn.978-2-8124-4680-1.p.0295
SN  - 978-2-8124-4680-1
SP  - 295
EP  - 308
AB  - Applied to the reception of Mondonville in the mid-eighteenth century, the notion of imitative harmony, as pertinent to music as it is to literature, is a key in understanding the evolution of the musical sublime and the emergence of a taste for the tableau characterised by the effect of the ensemble and the abstraction of representation.
PY  - 2015
DA  - 2015/05/28
DP  - Classiques Garnier
PB  - Classiques Garnier
CY  - Paris
LA  - fre
UR  - https://shop.staging.classiques-garnier.net/a-la-croisee-des-arts-sublime-et-musique-religieuse-en-europe-xviie-xviiie-siecles-le-sublime-de-l-harmonie-imitative-en.html
Y2  - 2025/12/06
ER  -